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VOLUME IV (2007)
Triptych with the Dancing Shepherds
Caroline van der Elst and Micha Leeflang
Rembrandt’s Simeon’s Song of Praise, 1631
Petria Noble and Annelies van Loon
Shedding some new light
Mark Richter
A peculiar emblematic still-life painting from Johannes Torrentius
Arie Wallert
Jasper Johns’ Untitled 1964-65’
Louise Wijnberg, Klaas Jan van den Berg, Aviva Burnstock, Emilie Froment
Ruben’s oil sketches for the Achilles Series: A focus on the imprimatura layer and drawing material.
Annetje Boersma, Annelies van Loon, Jaap Boon
The cloak of Young Woman Seated at a Virginal: Vermeer, or a later hand?
Valerie Sivel, Joris Dik, Paul Alkemade, Libby Sheldon, Henny Zandbergen
Blue and yellow pigments – the hidden colours of light in Cuyp and Vermeer
Libby Sheldon
Guns versus armour: A technical and historical exploration of the protective quality of armour versus gun performance in the period 1450-1700
Harm Stevens, Sylvia Leever and Joris Dik
Changes in appearance: unintentional lightening in stable interiors by Philips Wouwerman (1619-1668)
Johanneke Verhave. Annelies van Loon, Petria Noble
Volume 4 Book Review
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